Iniziamo dalle origini: 5 anni fa l’etichetta Diynamic ad Amburgo: in che modo è nata questa label?

Io e il mio partner d’etichetta Adriano Trolio siamo partiti con il creare eventi assieme. Abbiamo organizzato un party che si teneva una volta al mese chiamato DIY. Condividavamo un appartamento con H.O.S.H. Siamo diventati amici e poi abbiamo deciso di fare il grande passo: fondare la Diynamic Music. Abbiamo iniziato a organizzarci e poi tutto è successo velocemente. Abbiamo ricevuto un sacco di riconoscimenti e cosi’ la label è cresciuta.
A mio parere ogni label ha qualcosa che la distingue dalle altre. Noi abbiamo avuto una crescita non da poco.

- Il tuo primo LP “Dance Baby” nel 2009 con tracce suggestive come “After rain Comes Sun”: com’è cambiato Solomun in tre anni? Com’è cambiata la tech house e il modo di produrla?

Non mi piace dire che sono cambiato durante quel periodo ma ho fatto uno sviluppo che potrebbe essere conseguenza di quello che mi sta attorno e tutte le influenze quotidiane che hanno un forte impatto su di me. La musica cambia sempre e tu non sai mai quanto le correnti del momento dureranno. Per il momento penso che il cambiamento che sta avvenendo nell’house music sia notevole, almeno per me, perchè si sta mettendo di piu’ in risalto la parte funk del House e non la tech. Resta il fatto che il mio modo di produrre musica non è cambiato anche se la tech house è in evoluzione.

- La donna che si sente parlare nella traccia INTRO del tuo EP “Stimming” è tua mamma: che ruolo ha avuto nella tua crescita personale verso la musica? E’ stata da supporto o voleva un altro lavoro per suo figlio?

Certo, mia mamma mi ha ispirato perchè è una donna bellissima e una grande spalla per me. Mi ha sempre supportato in tutto quello che ho fatto. Va perfino a fare shopping anche con una Ego Bag.

- Il club EGO ad Amburgo di tua proprietà: raccontaci qualche curiosità e cosa significa per te quel posto.

EGO naturalmente significa tanto per me. E’ stato un bel progetto aprirlo e lo sarà ancora prendendomi cura di tutto. Quando i nostri eventi DiY venivano ospitati qui ci siamo subito innamorati della location. Tre anni fa quando c’è stata l’opportunità l’abbiamo aperto: eravamo tutti felicissimi ed è diventato come un figlio che non ho mai avuto.

- Ibiza e il Sankeys: come sarà presente la DiY ad Ibiza?. Ci sono artisti della tua etichetta che troverebbero spazio nei locali italiani?

DIY ci sarà in tutte le sue varietà. Tutti i nostri artisti suoneranno durante le 10 settimane della nostra residenza. Per molti di loro sarà la prima volta ad Ibiza, sono molto motivati.

La sacra famiglia Diynamic è pronta con grandi musicisti, quindi penso che tutti dovrebbero suonare in Italia.

- L’uscita di Kackvogel con la Watergate Records: Cosa pensi riguardo la GEMA (la SIAE italiana) e le nuove tasse che applicherà sulle città tedesche come Berlino?

Ho una grande amicizia con il Watergate ed è uno dei miei club preferiti in assoluto. GEMA non sarà applicata solo ai club di Berlino ma in tutta la Germania. Saranno tempi duri per noi proprietari di club ma dobbiamo fare qualcosa per cambiare, la club culture non deve morire.

Solomun (born as Mladen Solomun 1975 in Bosnia and Herzegovina) and raised in Hamburg, is a Bosnian DJ of House and Dance music.

Solomun started his DJ in 2002 and has been an active music producer since 2005. His first EP on Diynamic, Solomun EP, came out in 2006. Since then, he released many other Eps, compilations, as well as one album in 2009 called Dance Baby. Solomun, with his partner Adriano Trolio, created his own record label in 2006 called Diynamic. In 2011, a second label has been launched, 2DIY4, as an experimental record label.

He owns the Hamburg based club Ego, co-run by his sister and Adriano Trolio, figuring among the best underground clubs in Germany.

Solomun gets his inspiration from many different kinds of genres such as R&B, Funk, Soul, Hip hop, Disco or 80s music. His sound can be described as “house music, but with deep, ultra funky basslines, euphoric melodies and emotionally charged vocals”.^[1]

As producer, he also collaborated with other famous records.^{[citation needed]}

His success really emerged with his remix Around (Noir & Haze), elected Remix of the Year 2011 by Resident Advisor, that broke through the DJs’ planet.

2012 was an exciting and tremendous year for Solomun. Awarded as DJ of the Year by Mixmag,^[2] Producer of the Year by the DJ Awards in Ibiza,^[3] but also Best DJ International by the Cool Awards in Brazil.

With the Diynamic Neon Nights Events at Sankeys Ibiza,^[4] Solomun brought novelties on the underground scene and flabbergasted the partiers with his groovy and sexy sound. As he says in an interview on Ibiza Spotlight: “People have emotions. So why not on a dancefloor?”^[5]

Solomun will kick off Ibiza 2013 season presiding Burn Studios Residency bootcamp.^[6]

Discography

Releases

• 2005 Galaxy Empire – Mudra Records
• 2005 Jackpot – Schanzen Rec. – CD Compilation
• 2005 Frei – Schanzen Rec. – CD Compilation
• 2006 Do It Yourself EP – Diynamic Music
• 2006 Nachrichten EP – Diynamic Music
• 2006 Oelkersallee EP – Diynamic Music
• 2006 Solomun EP – Diynamic Music
• 2007 Feuer und Eis EP – Diynamic Music
• 2007 Hooked / Jungle River Cruise – liebe*detail
• 2007 Koboldmaki – Sonar Kollektiv
• 2007 Meerkats – Sonar Kollektiv
• 2007 Mischwaren EP – Diynamic Music
• 2007 Sambada E.P. – Dessous Recordings
• 2007 Second kiss in winter / Four Seasons EP – Diynamic Music
• 2008 Deadman/Beauty and the beast – Four:Twenty
• 2008 Ghostdog / Trilogy EP – Diynamic Music
• 2008 Flying Pics EP – Diynamic Music
• 2008 Beauty and the Beast / Dead Man – Four:Twenty
• 2008 Black Rose / Trickski Remix – Sonar Kollektiv
• 2008 Woodstep Ep – Dessous
• 2008 International Hustle Ep – Four:Twenty
• 2008 Argy and Solomun – Focus On – Poker Flat
• 2008 Midnight Call Ep – Compost black
• 2008 Federgewicht EP – Diynamic Music
• 2009 Carnivale / Factory – Phil e
• 2009 Dance Baby – Diynamic Music – Album
• 2011 Daddy´s Jam – Rebellion
• 2011 Love Recycled EP – 2DIY4
• 2011 Zappzerapp EP – Diynamic Music
• 2011 Challenge Everyday EP – Diynamic Music
• 2011 Something We All Adore EP – Supernature
• 2012 Living On – from: 5 years Diynamic Charity Compilation – Diynamic Music
• 2012 Kackvogel – Watergate Records

Remixes

• 2007 Bearweasel – Monkier (Solomun Rmx) – Supernature
• 2007 Barbo – Barbi in Love (Solomun Rmx) – Buzzin Fly
• 2007 Monoroom – Feed me (Solomun Rmx) – Freunde Tontraeger
• 2008 Tiger Stripes – Hooked (Solomun Rmx) – Liebe*detail
• 2008 Kollektiv Turmstrasse – Blutsbrueder (Solomun Rmx) – MGF
• 2008 Palm Skin Productions – Wonderful Thing (Solomun Rmx ) – Freerange
• 2008 Marbert Rocel – Cornflakes (Solomun Rmx ) – Compost Black
• 2008 Christian Prommer – Daft Punk/Around the World – (Solomun Rmx)
• 2010 Oliver Koletzki And Fran – Echoes (Solomun Rmx) – Stil Vor Talent
• 2011 Gorge – Garuna (Solomun Rmx) – 8bit
• 2011 Edu Imbernon and Los Suruba – Punset (Solomun Rmx) – Eklektisch
• 2011 DJ Hell – Germania (Solomun Rmx) – Gigolo Records
• 2011 Noir and Haze – Around (Solomun Rmx) – Noir Music
• 2011 Kraak and Smaak – Let´s Go Back (feat. Romanthony)(Solomun Rmx)
• 2011 Tiefschwarz – Corporate Butcher (Solomun Rmx) – Watergate Records
• 2012 Pool – Game Over (Solomun Rmx) – 2DIY4
• 2012 Luca C & Brigante feat. Roisin Murphy – Flash of Light (Solomun Rmx) – Southern Fried Records
• 2013 Foals – Late night (Solomun Rmx)

Awards

• DJ of the Year Mixmag Magazine (UK)
• Best Producer DJ Awards Ibiza (ES)
• Best DJ International Cool Awards Brazil (BR)
• Best International Tour Rio Music Conference Award (BR)
• Best Producer Groove Magazine (DE, AT, CH)
• Best Label Diynamic Groove Magazine (DE, AT, CH)
• Best DJ #03 Groove Magazine (DE, AT, CH)
• Best Track #04 Kackvogel Groove Magazine (DE, AT, CH)
• Best Producer #6 Faze Mag (DE,AT,CH)
• Best Label Diynamic #5 Faze Mag (DE,AT,CH)
• Best Track #14 Kackvogel Faze Mag (DE,AT,CH)
• Best DJ #22 Resident Advisor (UK)
• Best Compilation #05 (Watergate 11) DJ Mag (UK)
• Best Compilation #05 (Watergate 11) Mixmag Magazine (UK)

2011

• Remix of the Year- Around (Noir & Haze) Resident Advisor (UK)
• Most Charted Artist“ #04 Resident Advisor (UK)
• Best Remix #02 – Around (Noir & Haze) Groove Magazine (DE, AT, CH)
• Best Remix #03 – Let’s Go Back (Kraak & Smaak ) Groove Magazine (DE, AT, CH)
• Best Producer #02 Groove Magazine (DE, AT, CH)
• Best DJ #03 Groove Magazine (DE, AT, CH)
• Best DJ #05 De:Bug Magazine (DE, AT, CH)

References

See also

• blog.interview.de/Interview-Solomun
• www.slothboogie.com/2012/05/solomun-interview/
• www.groove.de/2012/12/28/titelgeschichte-diynamic-groove-136/
• trickydiscobristol.blogspot.de/2008/08/td-salutes-diynamic.html
• ibizainside.com/blog/an-interview-with-best-producer-award-winner-2012-solomun/#more-7115
• www.residentadvisor.net/feature.aspx?1619
• www.ibiza-spotlight.de/nachtleben/reviews/2012/solomun_emotional_a.htm
• skrufff.com/2012/07/solomuns-wisdom-diy-dressing-as-schoolboys-interview/
• www.tracealine.com/interview-solomun/
• pulseradio.net/articles/2011/12/solomun-2011
• www.burlingtonproject.co.uk/news/FullStory.aspx?Id=686
• nord.partysan.net/clublife/11-statements-von-solomun/
• news.beatport.com/blog/2008/02/20/the-wisdom-of-solomun/
• www.ibiza-voice.com/story/news/1600
• www.littlewhiteearbuds.com/podcast/lwe-podcast-08-solomun/#.UO8ChaW9o0w
• dev1.pulseradio.net/articles/2012/12/solomun

What’s the future of DJing? It’s already like this – proper shows in gig venues, not only clubs
Favourite app? Dropbox. I put some beats on Dropbox, and wherever I am in the world I can send my beats from my phone.
Discovery of the year? UAD-2 Satellite, which allows you to use all your UAD plug-ins with your laptop. It’s a revolution – unbelievable
Rediscovery of the year? Let’s see, I’ll open my record box… I made a bootleg of ‘Feel What You Want’ by Kristine W from 1994.
Awkward Moment? Last week, a girl was giving me pornographic pictures at the Pacha Ibiza closing party – I really wondered why? The photos weren’t of herself, it was very strange. I think she was really tripping.
Style or substance? Substance is everything. I never believe the hype. I don’t do this for the lifestyle, I do this for the music.
Pet Hate? I’m a lover, not a hater.

When we track down David Guetta in Paris, he’s already been told by his manager about his Top 100 victory.

“I’m very happy of course, I was thinking it was going to be impossible for anybody to replace Armin Van Buuren as No.1,” he chuckles. “I don’t know how many years trance DJs have been No.1?”

DJmag informs David that it’s been almost a decade of trancers at the top, with Armin (four years), Paul van Dyk (twice) and Tiësto (three times) dominating in the noughties. So lots of people in house music and elsewhere may well be pleased, we suggest, that you’ve broken the trance…

“The curse?” he interjects, laughing. “No really, I have a lot of respect for what those guys have done. But I’m happy for myself, and also think that maybe it gives hope to a lot of DJs playing house and electro.”

Winning the Top 100 really does mean a lot to the Frenchman. “I’ve had amazing success as a producer, but I always saw myself first of all as a DJ,” Guetta drawls. “So in the same way that I made a double album where one disc is pop and the other electronic, it’s also very important for me. As much as I want to speak to a wider audience, I still want to speak to my original audience – the clubbers, party people and the DJs. Those who encouraged me, and are my roots.”

Does winning the Top 100 mean more than having a No.1 hit single in America? “Yes it does, because for me it makes me more happy to play an amazing club gig than it does to sell a lot of records,” he says. “Of course I love making music, but DJ culture is everything to me – it’s been my life for so many years.”

It has been an incredible last few years for Guetta, who first started DJing in Paris in the mid-1980s at the age of 17 – pre-house music.

“When I was 17, all my friends were going to clubs because they wanted to pick up girls,” he recalls. “I didn’t care, I was going to clubs because I wanted to listen to the DJ.”

He was a DJ and promoter in and around Paris during the ’80s and ’90s before moving up some levels when he released ‘Just A Little More Love’ in 2001, featuring US gospel singer Chris Willis. The club hits and albums kept coming in the noughties, as did the ‘Fuck Me I’m Famous’ compilations – named after his parties in Ibiza – that became a self-fulfilling prophecy.

Electro house track ‘Love Is Gone’ (also with Chris Willis on vocals) was massive for him in 2007, although in the US it wasn’t on the radio much, as mainstream American radio stations didn’t play dance music. “But it was being played in every club – not only house music clubs, but even in clubs that would only normally play hip-hop,” Guetta tells DJmag. “So a lot of urban artists knew that record, without knowing who I was or who Chris Willis was.”

Up until this point, Guetta was making music that he wanted to play as a DJ, “but then musically I started wanting to not only give that physical reaction due to production tricks and how phat the beat is, but also an emotional reaction that comes from chord progressions and melodies,” he says. “When I started to make songs, I loved it and wanted to grow more in that direction.”

It just so happened that former Destiny’s Child singer – and now UK X-Factor judge – Kelly Rowland was in a club in America when Guetta was playing an instrumental version of what became ‘When Love Takes Over’, and she asked him if she could sing on it. The same week, will.i.am called him to ask if he would produce some records for the Black Eyed Peas, because they loved ‘Love Is Gone’ so much. “So I sent them a few beats, and the track became ‘I Got A Feeling’,” he relays.

Soon after, he met Akon at a BBC Radio 1 event and they hooked up to do ‘Sexy Bitch’. “What was interesting is that all of those people thought they would go and do something with David because they love his music, but they never thought it could be really big in America,” he says.

Mainstream US radio didn’t play dance music, but these releases battered down the doors. All three of these records were massive everywhere on release in 2009 (including in the US), and Guetta became the go-to guy for US urban artists to hook up some dope dance beats.

“Because I worked with people that were a ‘brand’ in the US, they gave us a chance,” Guetta believes. “They played it on the radio and they realised that people loved it. They started to realise that the culture was big amongst young people, it was like the new sound in America and everybody started calling me.

“American journalists say to me now ‘You’ve brought this culture to America’, and I say, ‘No, this culture was BORN in America, what are you talking about?’” he continues. “The media had refused to see the culture.”

Guetta broke down the doors in America, and the whole dance scene internationally is benefiting. “It’s been a real revolution,” he declares, “everything is changing. Our sound is taking over the planet.”

David tells DJmag that he is happy that a lot of other big DJ/producers are working with big urban artists now. “Music belongs to everybody, I’m not like ‘Oh, now other people are doing what I was doing’, for me music does not belong to anyone,” he says. “I’m happy that I’ve been opening doors.

“For so many years we haven’t been getting the respect we deserve from the media, the radio, the TV,” he continues. “I think it’s amazing that it’s happening now, I’m really happy – not just for me, but for everyone. Even the trance DJs!”

He may have his detractors, but there’s no doubt that Guetta’s explosion into the mainstream has had a knock-on effect for all of dance music. “People are adding their flavours and it’s coming back to Europe. It’s a very interesting creative circle that is happening these last few years,” he believes. “It’s a very positive thing that doesn’t only benefit people like me who are also producing pop records, it also benefits the underground, which is great.

“Our music is so big at the moment, as simultaneously there are people like me and Tiësto and the Swedish House Mafia who are really crossing over, and at the same time you have this crazy underground scene that is exploding also,” he continues. “The fact that there are so many creative people on this level at the moment makes our music very strong.”

Guetta has just released his fifth album, ‘Nothing But The Beat’, and DJmag asks him about a couple of the tracks on the electronic disc – ‘The Alphabeat’ and ‘Toy Story’ – that have that Daft Punk/Justice sound. He reveals that Thomas Bangalter from Daft Punk really helped him out when he called Virgin Records a decade ago to tell them to sign Guetta’s ‘Just A Little More Love’, as he thought it was really good.

“He was coming to my club when I was playing, and I was looking at him like he was God – I still do, actually,” he says. “But at the time, I was working hard to sound totally not French. I wanted to be different, but now that a long time has passed I think maybe I can sound French and it is OK.”

We then ask him if he considers his track with Swedish hotshot Avicii to be ‘trouse’, but he says he doesn’t really recognise trouse as a genre.

“Genres for me aren’t so important,” he says. “I understand what you mean – bringing the melodic side of trance and putting it into a house music groove, it probably speaks to an even wider audience.

“What’s interesting is that everything is mixing together – lots of DJs have hip-hop influences, trance influences, house influences, electro… and the kids don’t even care, because it’s the internet generation, people listen to all sorts of music,” Guetta continues. “It’s perfect for me because I was always very open-minded, listening to lots of other people’s different stuff, and as much as I was never into trance I appreciated the melodic side of it, the chord progressions – it’s emotional music. That part of that music I always thought was really good, but I didn’t like the drums and the bassline.”

The duality between the pop charts and the underground dance scene doesn’t faze David. “In Ibiza, my parties are a mix of people, but underground culture is the mainstream culture there, and I wish it was like this everywhere on the planet,” he says. “We’re on the way.”

Citing 2ManyDJs, one of his regular guests at the FMIF parties, as a good example of somebody playing “the most underground acid house record and then the biggest pop record – because they just want to play good music, and have fun,” he then adds: “It’s a party! I don’t take myself too seriously. I don’t need to have a day for pop music and a day for club music – it’s the same person. I just wanna have fun, give people a good time, and make good music.

fonte

http://www.portaledellanotte.it/top-100-djs/top-100-djs-i-primi-10-posti/

http://www.portaledellanotte.it/top-100-djs/top100djs-i-posti-della-classifica-dj-mondiale/

ecco gli altri dal 21 al 30:

21
Infected Mushroom
Infected Mushroom, aka Erez Eisen and Amit Duvdevani, had something of an epiphanic show this year, among the most important of their careers. The Israeli production duo were invited pers…
Read More

22
Aly & Fila
The last 12 months have been fantastic for Egyptian trance titans Aly & Fila, the latter tells DJmag. “The support we have received wherever we have played has been amazing.” They recen…
Read More

23
Steve Angello
Despite some internet snipery in 2011, Steve Angello has not been held back. Much of his time has been taken up as one-third of the now fully internationalised dance brand that is the Swe…
Read More

24
Hardwell
Just 23-years-young, fresh-faced, Dutch born-and-bred, Hardwell is already at the top of his game. Playing the main stage at this year’s Creamfields and releasing Beatport top tenners ‘En…
Read More

25
Arty
The Top 100 throws up many familiar faces but the supersonic rise of Russian artist Arty, who barely looks legal to be allowed in a club, let alone play to thousands around the world, dem…
Read More

26
Sebastian Ingrosso
Despite his place pretty much atop the pile of house music superstars in 2011, Sebastian Ingrosso is both humbled and humble when DJmag catches up with him. “It’s an honour to be in thi…
Read More

27
Benny Benassi
Italian DJ/producer Benny Benassi holds steady in the poll, figuring in the Top 30 where he has been more or less since ‘Satisfaction’ stormed the international floors. He continues to ha…
Read More

28
Daft Punk
Since time began, or at least as far as the Top 100 DJs poll goes, Daft Punk have made an appearance in it, despite their distinct lack of actual DJing gigs. Theirs is a respect that wa…
Read More

29
Martin Solveig
The most memorable achievement of the past 12 months for Martin Solveig? “I wouldn’t know where to start,” he says. “The success of ‘Hello’ has obviously been incredible, the video shoot …
Read More

30
Kaskade
For America, this is a very exciting time,” says Kaskade, aka San Francisco-born Ryan Raddon – croaky-voiced after a late-night gig – on the explosion of house music in his native country…
Read More

fonte: http://www.djmag.com/

Moniker (s) / MAM

Miguel è stato galvanizzato dalla scena house music fin dai primi anni ’90 ed è stato anche un DJ da quel momento. Miguel ha iniziato a produrre la propria musica come un ‘mezzo’ della BCO duo underground.

Nel 2006 ha fondato la sua etichetta: outcross Records ™

Nel 2010 divenne la più recente aggiunta alle Creations ™ Hot squadra.

Discografia selezionata di Miguel Campbell

Miguel Campbell

Comunicati:

Miguel Campbell – The Rock Ya Feelin ‘ep (Outcross Records 2006)
Miguel Campbell – Community Funk (Outcross Records 2007)
Miguel Campbell – L’Active tocco ep (Outcross Records 2008)
Miguel Campbell – La teoria Metro ep (Outcross Records 2008)
Miguel Campbell – Vybes misteriosi (Outcross Records 2008)
Miguel Campbell – Daydreams ft: J.Booth (Outcross Records 2009)
Miguel Campbell – The Play Press ep (Outcross Records 2009)
Miguel Campbell – Quei momenti spazio magico (Outcross Records 2010)
Miguel Campbell – Kiss And Tell (No.19 Musica 2011)
Miguel Campbell – Touch attiva (Hot Natured)

Remixes:

Matt Hughes – Non Cry (Outcross Records 2007)
Sean Biddle – One Hell of a Night (Bid Muzik 2008)
Matt Hughes – Night Music (Outcross Records 2009)
Patrick Alavi – Quanto questo significhi per me (roXour 2010)

MAM

Comunicati:

MAM – After Midnight (Outcross Records 2007)
MAM – MusicMakesUs (Outcross Records 2007)
MAM – Sexy Girl (Outcross Records 2007)
MAM – Love Lights Music & More (Outcross Records 2009)
MAM – Luci Altri Musica & Love (Outcross Records 2010)
MAM – Reprise Sexy Girl (Outcross Records 2010)
MAM – Il Avendo bisogno di amore ep (Outcross Records 2010)
MAM – I Beats of Science Vol. 1 (Outcross Records 2010)
MAM – I Beats of Science Vol. 2 (Outcross Records 2010)
MAM – I Beats of Science Vol. 3 (Outcross Records 2011)

Remixes:

Lucchetto – così attraente (Outcross Records 2007)
WebQueawry – Ricerca (Slow Network 2010)
Tesla Boy – Thinking of You (Mullet Records 2010)
Sean Biddle – Darlin ‘(Nocturnal Recordings 2010)

31 years old Luca Dorigo has been one of the
most requested italian celerity dj’s for a long time.
He plays engaging house music and his dj sets are full of energy. When
he’s in the booth, he’s focused on one thing: making them all jump, with
the latest hits and even with innovative music. Luca uses 3 cd players
and does some tricky stuff, but he loves to let the tracks ‘breath’ too,
as it happens in the best clubs of the world. He says: “I think that sooner or later I’ll begin to use computer, it will let me create live music
in the booth. But I love the dj’s ritual of searching for the right record”.
His tv background is well know in Italy, as ha took part for years to some
of the most important broadcasts and reality shows. Not everyone instead
knows that Luca already had the idea to take advantage of his fame to launch
himself into his greatest passions, music and djing. He says: “I’ve always
gone clubbing for the music. All the other things are only a consequence”.
Luca has arrived in the booth after mixing with people for a lifetime. At 20 years old, he had a well paid office job, but for him it wasn’t enough. He wanted
to have have fun by making other people have fun. So, after a summer spent
as a lifeguard in Jesolo, near Venezia, his hometown, he left for California,
for an experience of surfing and parties that soon became a way of life. He
says: “I’ve been working for a long time in high level bars and restaurants,
having experiences which event today help me when I’m in the booth”.
During 2012 we will see new records, where Luca has been working hard but without pressure and there will also be important roles in films. From his experience in the Usa, Luca learned that an artist
can do many different things, but he has to work hard to be well prepared. Just like in sports, a big passion for him. One thing’s for sure,
for him being a dj isn’t just work. He says: “I don’t know if in ten years time I’ll still be djing in clubs. But I’m sure that I’ll still be doing it
for my friends and my family… Because I love music too much!”.

http://www.djmag.com/top100