Dj & Producer, Joey Negro è lo pseudonimo più conosciuto del dj producer inglese Dave Lee il cui sound è influenzato dalla disco e dal funky. Ma altri nomi d’arte si nascondono dietro ai suoi progetti: Sessomato Doug Willis, Z Factor, Raven Maize, ma soprattutto quello di Jakatta con cui ha firmato pezzi come “American dream”, colonna sonora del film American Beauty e “My vision”.Dave Lee, artisticamente Joe Negro, nato nell’isola di Wight, si appassiona giovanissimo alla disco, coltivando per il genere una devozione che rimarrà alla base di ogni suo futuro coinvolgimento nella musica. Si trasferisce a Londra nel 1986 dove, dopo aver lavorato in un negozio di dischi, passa a occuparsi di Demix, il distributore dance della Rough trade, attraverso il quale lancia nell’88 la sua prima etichetta, la Republic. Il suo primo “12 come Joey Negro, Do It, Believe It, glielo pubblica nel 1990 la prestigiosa label newyorkese Nu Groove. E i primi ’90 rappresentano la consacrazione, con il lancio della nuova etichetta Z Records e con la produzione della versione di Relight My fire cantata dai Take That, una grossa hit che lo allontana però dall’attenzione degli appassionati di house: non tanto per una questione di purismo e prevenzioni, ma perché il suo suono in quel periodo sembra degenerare verso una radiofonicità spicciola. In realtà Joey Negro non perde di vista l’underground, e questo diventerà chiaro verso la fine degli anni ’90 e all’inizio del 2000, quando con alias come Sessomatto, akabu, Raven Maize e Jakatta produce bombe da club accessibili ma mai populiste (anche se quando deve compilare l’album come Jakatta cade nel macchiettiamo soft-house). Non perderà mai di vista la sua storica passione per la discomusic, rielabora direttamente in chiave house con le sofisticate produzioni della Sunburst Band, dove milita anche il suo storico tastierista Michele Chiavarini, e di cui sarà appasionatissimo divulgatore nelle tante compilation di classici oscuri supervisionate.

ecco cosa dice Wikipedia:

Dave Lee meglio noto come Joey Negro (18 giugno 1964) è un disc jockey e produttore discografico inglese.

Dave Lee nasce il 18 giugno 1964 sull’isola di Wight in Inghilterra. Suo padre era un collezionista di dischi americani, in particolare prediligeva il genere soul e funk, dischi che hanno influenzato notevolmente il gusto musicale del giovane Dave e fatto nascere in lui la forte passione per la musica. Questa stessa passione lo porta negli anni ’80, dopo essersi spostato a Londra a lavorare in un negozio di dischi; da qui inizia una carriera che lo porta addirittura all’apertura di un’etichetta discografica, la prima per lui: la Republic Records, inaugurata dal suo primo disco “Get Busy” sotto lo pseudonimo “M.D.EMM’s”. Da li inizia la scalata della sua carriera, fatta di remix spesso commissionati anche da importanti artisti e produzioni come “american dream”, “fly away” e tante altre che hanno fatto grande successo e lo hanno portato ad essere considerato come uno dei maggiori ambasciatori della house music europea.

www.facebook.com/joeynegro

NASTIA: ECCO CHI SONO…

I was born in a small village in the east of Ukraine to a normal family. Nobody was a musician in my family and there was no opportunity to obtain musical education. But I loved to dance and danced well.

Through all my school years I was involved in social activities, I took part in school activities and was very active and enthusiastic.

I have two older sisters, who lived in the near by city – Donetsk. I visited them every two weeks and this is where my first visit to nightclubs happened. This is where I realized what I wanted and everything came into focus…

I finished school in my dear little village and then went on to the university of Donetsk to the Marketing faculty.

I immediately found my first job as a dancer in the best club of the city. After some time, this was not enough anymore, and I wanted to move forward, so I began to spin. That was 2005….

In 2006 was the first time I came to Kazantip. Since then many things have changed. I changed.
I worked in Kazantip since 2006 until 2011, playing in different parties, managing the studio of the infamous KISS FM radio station, where I also have my own radioshow. Now this weekly radioshow of mine is called ‘Propaganda’, which is also the name for my new label, launched recently in 2013.

Since 2009 I have been touring frequently. The last three years I have had no free weekends. I have played in many cities throughout Europe and further abroad to Japan, North Africa, South America, Mauritius. In Russia and Ukraine I am performing less now.

For a short time I also worked as a promoter, organizing my own parties. Later on I just decided to work on one event once a year together with the team Feeleed from Odessa. This event, which we make together is my birthday party, where my friends and close artists gather from all over the world.

I have never been a resident of any club, but recently this changed; I simply could not resist the offer from Arma17 and since 2010 I am their resident and this is a big honor for me.

Arma17 is something unique. I can not even a club, it’s just so much more. It’s much more important, more interesting and complete. It’s one of a kind in the whole world and it’s my second home. Soon after I also joined the Feeleed family, they became my family in Ukraine.

I am not a producer. I am a true DJ. I am one of a few, who builds their music career through the performance of DJ’ing. I spend time in the studio over the last 2 years, but for now there is still not enough to present for your musical pleasure. Although producing doesn’t really interest me – I know that my best skill is at mixing records.

In 2011 the first release was made of mine and Sasha’s (Alexander Pavlenko / Sunchase) collaboration named ‘He & She’ on the label Musik Gewinnt Freunde. Until today it’s our only release, because we are both busy at the moment. There is little time left for studio for me, so I use this time to producer under the name ‘Nastia’.

Recently I was part of the Bullitt Agency. We worked together just one year. But circumstances forced this to end and my decision was to continue on my own, how I always worked before.

I love my hobby, which transformed into my profession and my way of life during recent years. My aim is to see as many people as possible on the dancefloor and to dance with them, leading the mood with what unites us all – music. I am what I do.

[FONTE]

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Seconda data…. seconda avventura…
Dopo un apertura strepitosa torniamo a prendere possesso della location che è simbolo di club,
con un ingresso separato, completamente indipendente dalla fonderia

Per questa seconda data proponiamo un nuovo artista internazionale per il circuito EDEN!

►Resident Dj:

▃ GIUSEPPE BIONDO ▃

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►Warm Up:

▃ LEONARD BLACKDARK ▃

►Resident Voice :

▃ MC CODY ▃

▇ MODALITA’ INGRESSO: ▇

INTERO 15,00 euro

RIDOTTO (lista e biglietto) 12,00 euro entro le 00.45

OMAGGIO DONNA entro le 00.00

PRENOTAZIONE 15,00 euro con consumazione
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Location: OFFICINA C/O Italghisa

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INGRESSO INDIPENDENTE OFFICINA

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Ciao Shlomi, benvenuto su Soundwall.it.
Cosa significa nascere e crescere musicalmente in un paese come Israele?

Bisogna crescere qui per capire che cosa significa realmente la fratellanza e la famiglia. Influenzano tutti gli aspetti della vita, compresa la musica.

Frequentare una scuola di musica ha senz’altro dato un grosso aiuto per la tua crescita. Quali erano le tue aspettative da giovane? Ti saresti mai immaginato di diventare un top dj?

Ci speravo sempre, era il mio unico obiettivo da quando avevo 12 anni e non posso essere non essere felice ora che mi viene data la possibilità di suonare la mia musica in tutto il mondo.

Poi la solita gavetta, tra piccole feste e primi clubs. Come tutti insomma hai dovuto farti le ossa. Pensi sia anche questo un passo importante per maturare?

Certo, crescere attraverso la gavetta offre l’opportunità di esplorare la musica da molti punti di vista e io sono felice di aver cominciato dalla “strada”, e non direttamente dalle sale principali dei grandi club. La musica è parte delle mie radici.

Il tuo approccio musicale è molto vario. Alle evidenti radici techno affianchi molto spesso anche altri generi, come electronica, downtempo o jazz. Quali erano i tuoi generi e artisti preferiti nell’adolescenza e quali invece hai scoperto solo più tardi?

Io faccio soltanto musica, non sono legato ai vari generi, non ho alcuna linea guida in studio, mi impegno e butto giù qualche beat. Non credo di aver scoperto alcun genere, è tutto lì da sempre .

Come anticipato prima, la tua ascesa è stata lenta ma alla fine ripagante. Stampare su label come Cocoon, Ovum, R&S, Objectivity, Renaissance. Nel 2008 sei stato nominato “Beatport’s Artist of the year” e hai pure ricevuto la nomination per Dj Awards. Che effetto ti ha fatto vedere accostato il tuo nome alla storia affianco agli dj internazionali?

Ho gran rispetto per i ragazzi della vecchia scuola, sono stati loro ad iniziare tutto. E’ un grande onore per me essere accostato a loro, ma sono una persona con i piedi per terra, non credo molto nei miracoli. Quello che ho vissuto è il risultato di duro lavoro e costanza nel mio percorso.

Sea Of Sand, After Love, and Tel Aviv Garden ma soprattutto la traccia che ti ha fatto conoscere a tutti, ossia “Freakside” sono alcuni dei tuoi grandi successi sui quali hai puntato moltissimo. Vuoi svelarci come si svolge il tuo lavoro in studio?

Sembra strano, ma non ho davvero idea. Dipende molto dal mio stato d’animo quotidiano e dalle varie sensazioni (forti, deboli, profonde) che ho in quel momento. Mi faccio trasportare da questo flusso e cerco di non ostinarmi a creare per forza un determinato suono o genere.

Sentiamo parlare sempre più frequentemente di plagi musicali. Anche tu hai dovuto difenderti nel 2008 da questa accusa accaduta con “Efrat”. Cosa ti senti di rispondere a chi accosta il tuo nome ancora a quell’episodio?

Non mi va di rispondere a nessuno, preferisco usare il mio tempo condividendo amore e non odio. All’inizio l’ho presa abbastanza male, ma poi ho fatto in modo di rispondere soltanto attraverso le casse. Da quel momento in poi ho realizzato Sketches, Groove Mechanism, Slow Dancer e molte altre tracce; sono stati tutti grandi successi e ora penso non abbia più senso parlare di questo episodio tre anni dopo.

Su Ovum hai rilasciato anche l’album “Chicago Days, Detroit Nights”. Cosa lo differenzia dai tuoi progetti singoli?

Oh .. E’ molto differente, anche se posso dire che il mio album è composto da più progetti singoli, nel senso che la maggior parte dei brani sono progetti autonomi e non legati tra loro. Ancora una volta, la mia sensazione era quelle di rilasciare tracce specifiche piuttosto che pianificare la classica struttura dell’album.

Visto il numero in costante aumento di aspiranti dj, sei d’accordo nel ritenere oggi più importante la figura del producer piuttosto che quella del dj?

Purtroppo hai ragione. Io personalmente mi ritengo prima un dj che un produttore. E’ da 17 anni ormai che faccio il dj, ma hai perfettamente ragione a dire che ormai ci si esibisce e si ha diversi fan al seguito soprattutto per le produzioni piuttosto che per i set o per l’abilità nel mixare. Oltre a questo, il posto in classifica diventa la cosa più importante in assoluto per avere visibilità. Il che è triste in quanto lascia fuori molti produttori che producono con il cuore piuttosto che per i soldi.

Nei festival che contano, il tuo nome compare sempre (basti pensare al prossimo Movement di Detroit). Questo significa che negli anni sei stato in grado di confermare il tuo valore. Quanto è difficile dimostrare a tutti di non essere una meteora?

I festivals sono sempre divertenti, personalmente preferisco i piccoli clubs rispetto ai grandi palcoscenici, ma in quelle occasioni incontro sempre molti amici e ho la possibilità di frequentarmi con loro. DEMF è un festival incredibile e sono felicissimo di prenderne parte.

A proposito di festival, quale tra i tanti in cui hai partecipato, secondo te merita più attenzione e ricordi con maggior piacere?

Mmm… Bella domanda. Devo ammettere che i miei ricordi migliori sono sempre legati ai club, con un ambiente più intimo è sempre indimenticabile…

Come tanti artisti, hai ritenuto opportuno creare la tua etichetta, la Be as One. Sono passati ormai alcuni anni dal lancio dell’etichetta, se tu dovessi fare un bilancio ti ritieni soddisfatto del lavoro fatto finora?

Sta andando alla grande, siamo molto soddisfatti sia io che Nick (il label manager) del modo in cui è cresciuta l’etichetta negli ultimi anni. Rilasciamo la musica che ci piace, come in studio, senza linee guida, dando spazio soltanto alla musica e all’anima.

Abbiamo appena ammirato l’ultimo tuo ep con Dj Sneak e i vari remix del tuo album con i vari Nic Fanciulli, Josh Wink, Michel Cleis, Steve Lawler, Chris Liebing, Santos & Timo Maas. Cosa dobbiamo aspettarci nei prossimi mesi da te e dalla tua etichetta?

Per prima cosa, vorrei ringraziare i miei meravigliosi amici che hai appena citato, i quali hanno creato grandissimi remixes. Abbiamo intenzione di rilasciarli dividendoli in due parti nel corso dei prossimi due mesi e subito dopo rilascerò un nuovo ep su Be As One, del quale sono molto entusiasta. Per quanto riguarda l’etichetta, oltre al mio ep di cui parlavo sopra, rilasceremo altra grandissima musica con Gel Abril, Itamar Sagi e diversi altri produttori emergenti ed affermati.

Grazie Shlomi, è stato davvero un piacere intervistarti. Buona fortuna per il tuo futuro.

Grazie a voi ragazzi, continuate così!

English version:

When we think of Shlomi Aber we immediately juxtapose his name to the great successes that have marked his hit Freakside onwards. But that serious face hides the reality of a man who has always believed in music and in the chance to become a big artist. Like many djs, the road ahead was long but he finally arrived at the finish line receiveing deserved rewards. The hardest challenge to confirm his value over the years and to reply to various criticisms have seen once again victorious, with many hits and a new album. Now Shlomi is going hard with his own label, Be as One, and enjoy well-deserved chance in his beloved clubs and big festivals all over the world.

Hi Shlomi, welcome to Soundwall.it. Let’s start from the beginning. What does it mean for you to be born and grow musically in a country like Israel?

You need to grow up here to understand what does brotherhood and family means, it’s influencing you all over the life aspects,including music.

You attended a school of music, and this has certainly given a big help for your growth. What were your expectations as a young man? Would you have never dreamed of becoming a top DJ?

Always. It was my only goal since I was 12 years old and I can’t be more happy with the chance given to play my music to people all over the world.

You rose through the ranks, including small parties and first dj set in the clubs. Do you think this is also an important step to mature?

Of course, growing up from the real base giving you the opportunity to explore music from many angles, I’m happy I started from the “streets”, and not directly to the main rooms. The music is part of my roots.

Your approach to music is various. The obvious techno roots often are mixed with other genres such as electronica, downtempo or jazz. What were your favorite artists and genres in adolescence and what genres you discovered later?

I’m making music, not genres. I don’t have any guideline in the studio, just going with the soul and throwing beats in the air, I don’t think there is any discovered genres, it has all been there since ever.

As mentioned before, your musical climb was slow but rewarding at the end with releases on labels like Cocoon, Ovum, R & S, Objectivity, Renaissance. In 2008 you were selected as Beatport’s Artist of the year 2008 and also received a nomination for the prestigious Worldwide DJ Awards. What effect to see your name near to international DJs who made the history of this music?

I’m sharing a lot of respect to the old school guys who started it all. It is a great honor. I’m very a “earthbound ” person, I’m not a big believer in miracles, it is just a product of a lot of hard work and consistence in your way.

Sea Of Sand, After Love and Tel Aviv Garden but above all, the track that made you known to all: “Freakside”, these are all your great successes on which you have bet a lot. Do you want to tell us how is developed your work the studio?

Its funny, but I have no idea. It depends in my daily mood and feelings, hard, soft, deep or mellow. I’m just going with the flow and not fighting myself to create a certain sound or genre .

We hear increasingly of musical plagiarism. In 2008 even you had to defend this accusation happened with your track “Efrat.” What do you reply to those who continue to tie your name with that episode?

I’m actually not replaying at all, I prefer to spend my time sharing love and not hate. I got it quite hard at the beginning, but I’m way past that and I’m just replying back trough the speakers, since then I released Sketches, Groove Mechanism, Slow Dancer and more, they all been big hits and i’m feeling there is no point to keep dealing with it 3 years after.

You have also released an album on Ovum, “Chicago Days, Detroit Nights.” What are differences (settings, approach,ecc.) from a single project?

Oh, it’s a big difference , even though my album is more ” single based” in the way that most of the tracks are individuals rather a full story, I just once again went with the feeling of releasing those specific tracks rather planned a certain album structure.

We see the ever-growing number of aspiring DJs, you agree that today the producer is more important than DJ to show your skills?

Unfortunately you’re right. Personally I’m first a dj then a producer, being djing for 17 years now, but you are right that these days you’re performing and have fans following you mostly because of the productions rather than your dj sets and mixing. More to this, charting place become more important then ever in order to be visible, which is sad as it is limiting allot of producers out there to produce from the heart rather from the bucks.

Your name always appears in the all the biggest festivals (just think of Movement Festival in Detroit). How hard is it to confirm the value over the years?

Festivals is always fun, personally I prefer the small rooms rather than the big stages, but you always meet allot of friends and having the chance to hang around. Demf its amazing festival and i’m very happy to be part of it.

About festivals you had the chance to play, what among all do you think deserves more attention and what do you remember with good memories?

Mmm…good question. Must to admit that my best memories are always from clubs, intimate crowd is always unforgettable.

As many artists and producers, you create your own label, Be as One. Now it’s been several years since the launch of your label, are you satisfied for these first years?

It is going amazing, i’m very happy with the way the label growth over the past years, both me and Nick (the label manager) are just releasing music we like, same as in the studio, no guidelines, just going with the music and the soul.

We’ve just enjoy your last ep with Dj Sneak and your album remixes from Nic Fanciulli, Josh Wink, Michel Cleis, Steve Lawler, Chris Liebing, Santos & Timo Maas and more. What can we expect in the coming months from you and from your label?

Firstly I want to thank to my wonderful friends you just mentioned who delivered such a great pack of remixes, we going to release those in 2 parts over the next couple of months, right after I will release new ep on Be As One, which i’m very excited about. On the label side, as addition to mine mentioned above, we will relase super cool music from Gel Abril, Itamar Sagi and some other great new and established producers.

Thanks Shlomi, it was really a pleasure to interview you. Good luck for your future.

Thanks to you guys, keep up the good work as well!

fonte: www.soundwall.it/

—————————

SHLOMI ABER

Sabato 11 ottobre 2014

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▁ ▂ ▃ SHLOMI ABER ▃ ▂ ▁
www.shlomiaber.com/

►►►resident dj
▁ ▂ ▃ FRANCESCO CASTALDO ▃ ▂ ▁
www.facebook.com/francescocastaldoOfficialPage?fref=ts

►►►resident dj
▁ ▂ ▃ GIUSEPPE BIONDO ▃ ▂ ▁
www.facebook.com/profile.php?id=1665517218&fref=ts

►►►resident VOICE
▁ ▂ ▃ MC CODY ▃ ▂ ▁
www.facebook.com/mccodyc?fref=ts

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In the mid-late 70′s, kenny Carpenter was in ever-present attendance when the NYC underground gay club scene emerged from It’s womb of rhythmic integration. As an original “Brooklyn Boy” he watched, listened and began lurking for the turntables. At that point he made a plan! Some of his biggest idols at the time included the likes of Nicky Siano, Tee Scott, Walter Gibbons, Larry Levan, Larry Patterson and David Mancuso.

In the 80′s Kenny Carpenter’s early club experiences lead to his employment as a light technician at the then famous “Galaxy 21” on West 23rd Street, and “The Inferno” on West 19th Street in NYC. Still hungry for the turn-tables he moved on to spinning records first in small venues, and then inevitably to a Saturday Night Residency in the forever famous, infamous, and world renowed “STUDIO 54” on West 54th Street. After the closing ofStudio 54, Kenny was hired as the Saturday Night Resident DJ in a venue the size of an airplane hanger, the 5,000 person capacity Bond’s International Casino on West 45th Street in the heart of Times Square! His resulting popularity and increasing fame led to international opportunities in countries such as Israel, France, Spain and England spinning regular guest spots at what was and still is the most famous club in London, The Ministry Of Sound.

Some of his then biggest contemporaries, and still friends to this day, includeFrancois Kevorkian, Frankie Knuckles, David Morales, Little Louie Vega, and Tedd Patterson. He has been long time friends and enjoyed many collaborations with recording artists the likes of Anthony Malloy, Kenny Bobien, and Strafe. He continues to produce and , where possible, forge creative relationships with artists such as Wendy Lewis, Madonna, Jennifer Holiday, Michael Jackson, Robin S., and Majestic K. Funk.

On his new website the Living DJ Legend Kenny Carpenter,describes his   professional & global function today as a dj/producer. His new website has become a necessity to help complement and enhance his talent, experience, and professionalism. It’s time for him to take advantage of the ability he’s acquired to make people, young and older, move, think, and feel, by making his concepts available to all who are interested in the evolution of club music”!!!

Kenny Carpenter has had many years of experience working on New York’s number one radio station called WBLS and he’s done many guest sets on KISS FM in London but Producing and Remixing Music has become his latest acquired passion and you can expect some big surprises in the future which include new productions forMadonna, Kenny Bobien, Kathy Brown, Shaun Escoffery and Wendy Lewis. Kenny continues to travel extensively and perform in some of the most fashionable venues worldwide including:Italy, Spain, Greece, France, Switzerland, Japan, England, Norway, USA, Russia, Brazil, Morocco, South Africa, malta, Belgium, Montercarlo, Luxembourg and many more locations world-wide!!!!!!

www.kennycarpenter.com/

GOLDFISH
Venerdi 10-10-2014 

From STUDIO 54 (New York)

The legendary KENNY CARPENTER

is gonna be in da house!!!!!

GOLDFISH@Dadaumpa – Parma – Italy

A new way to club

info – prenotazioni cene/tavoli disco liste/

OMAGGI DONNA

393 33 66 886

Partecipa al corso da DJ presso la scuola MUSIC ACADEMY REGGIO EMILIA.

Il corso è aperto anche ai principianti e si compone di:

- 10 ore di lezione per l’insegnamento della consolle
- 18 ore di lezione per computer music (Logic e Reason)
- 10 ore di teoria musicale con docente di strumento

Gli incontri saranno settimanali e della durata di 2 ore l’uno complessivamente 38 ore di lezione.

per informazioni:
dimitri@treskafamily.com
393 3366886

________________________________
MUSIC ACADEMY REGGIO EMILIA
via F. Bacone (via Emilia) a Masone – Reggio Emilia

DJ NGELIK

- dj stories -

Biography  DJ Ngelik is one of the first women to secure an international career as a DJ; she has dazzled her crowds with her immense skill, beauty and voice. She is iconic for her era, and here’s why.Ngelik plays a colossal style of Electro and progressive house combining her proficiency with the turntable. This futuristic elegance in her music has secured Ngelik many shows with the best DJs around the world. She has shared sets with Eric Morillo, Above and Beyond and Oliver Giacomotto, just to name a few. Hailing from sunny Madrid, Ngelik has played over 200 venues all over the world showing that she has a real experience rocking the world with her music. With more than nine years of experience in the DJ scene, she has adapted to many different genres and developments in the electronic music sphere. Her eclectic style ranges from progressive house and electro to techno, and more recently the new sounds of the huge EDM scene. You can’t deny her phenomenal diversity. Whilst her incredible prowess to perform as a DJ is her main asset, Ngelik’s beauty has also earned her some notable recognition. She has featured in God is a Djane, Worldwide, and Maxim magazine. She has won different awards during her reinforced career such as: number one DJ in the minimal-electro category for “Top DJs Venezuela” in 2007, second best female DJ in the Top 100 category, number one female DJ in Caracas city, the number one DJ in the Tech-house Category for the 2008 edition and second in  the prestigious annual poll “WORLD SEXIEST MODEL DJ 2013″. Ngelik has the invaluable skill of knowing what the crowd wants. After all, she loves to party just like them. With Ngelik running the show, the party never dies.

DJ Mari Ferrari

Mariia Roganova

Berlin , Germany

Mari Ferrari is a well known female DJ’s who plays in the some of the most fashionable clubs in
the world. Despite her young age, Mari already built a brilliant and an impressive career, starting way back in ’07when she started touring extensively around the world,mentioning countries like: America (Las Vegas, Los Angeles,Dallas, Miami, Honduras, etc.), Europe (Switzerland, France, Germany, Spain, Portugal, Finland, Iceland, etc.), Asia and the Middle East (UAE, Indonesia, Thailand, Vietnam, Turkey,etc.).

DJ Mari Ferrari nowadays works with the most fashionable and prestigious promoters and
producers in San Tropez, Papagayo, VIP room. Besides her charm, this talented DJ is
certainly known, respected and liked in the world of clubs life for her skills on the decks.
She already attracted thousands of fans all over the world and her fame always keeps on rising.

Mari Ferrari as a DJ, with her set has the abilities to make people bounce, and tear clubs appart. Her music is stylish as well as DJ Mari Ferrari herself. If you watch & listen this beautiful girl live for the first time, it is quite impossible not to fall in love , forget, or
confuse her theatrical show with any other. Today DJ Mari Ferrari is opening
an absolutely new chapter in her brilliant career: a stunning style, new expressive photos, amazing shows, and fashionable music.

Mari Ferrari, besides DJing in various clubs, she played as a special guest in many important events organized by the famous Fashion TV, DJ Hed Kandi Festival (Miami 2008), and Official DJ Eurovision (2009), and she has been the icon of the prestigious press Playboy (France), FHM (France), Playboy (USA)

As a producer 2011 was a blessed year for Mari, starting from her first Collaboration With Adam Reeves, She Created ‘REACH OUT’ [Gramma Rec] with remixes from Jesse Voorn, Daniel Bovie & Roy Rox, Denis Horvat, Martin Shape, Arbre Blass…
a monster track wich very few people could not have heared it since the release was played and charted from World’s best DJ’s and been included in many compilations, mentioning the last one, compiled by ‘Plastic Funk’ on the prestigious Clubstar Records.

Soon to be released are still 2 more tracks from Mari wich are expected to be summer anthems. One of them is a collaboration she and Modaal did ‘Breathin U’[Bitten Records] wich will be released on Vinyl besides the digital one, and the other is a remix she did for Deba Montana ‘WHAT I LIKE’, a fine progressive tune wich will sweeten this summer.
Keep an Eye and an Ear wide open, Mari Ferrari is in da house.

DJ ANNITA YES 

official PAMELA ANDERSON DOUBLE 

Celebrity DJ / TV host 

Asia Tour April/May 2014

Comenzo en tv en el programa SE LO QUE HICISTEIS LA ULTIMA SEMANA como doble de Pamela Anderson,despues DONDE ESTAS CORAZON,TNT,RATONES COLORADOS,LA NORIA,PRESENTADORA DE LOS CALL TV DE TIENDA EN VEO,LA SEXTA,TELE5,CINCO SHOP Y CANAL CLUB Y ..

PLAY TV EN CANADA,RECIENTEMENTE EN LA TF1 FRANCESA,MISS PLAYBOY TV WEEKEND…

arrancando como cantante y DJ en LAS FIESTAS DEL ORGULLO GAY DE MADRID 2011,

pinchando en salas como PACHA BILBAO,LA RIVIERA(MADRID)(SHANGAI (MADRID) MOON CLUB(TENERIFE)OTTO ZUTZ(BARCELONA)

DJ DEL SALON EROTICO DE BARCELONA 2011

Y DE CLUB 69 ETC.

“World Sexiest Model Dj 2013″ 

Asian Tour December 2013 

guarda il video:

www.youtube.com/watch?v=qCqkUA9RlrU

DJ MAG:

House/progressive house, with influences from electro, trance, techno, minimal and tribal.
Best known for: Big and heavy drums, uplifting melody lines, ‘Set Fire To The Rain’.
Tune of the year: Ivan Gough & Feenixpawl ‘In My Mind (Axwell Mix)’
Breakthrough DJ/Producer of 2012: Otto Knows
If you were a superhero, what would your superpower be: I would be able to beam myself and others to any place in the world, to avoid hours on the plane, and live life to the fullest.
Should you play to the crowd or for yourself: Keep your own style but play to the crowd. They only dig it when I enjoy myself!
What does EDM mean to you: However you name it, it’s all about the music and emotion, energy and fun!
Should celebrities be DJs: As long as they are great at DJing – why not?
Have you ever been thrown off the decks: My very first DJ gig ended abruptly. The owner of the club took me down and told me to go home and practice
Are you a DJ if you don’t beat match: There are different tastes and ways of DJing. As long as the DJ is good in what he/she is doing and people are enjoying it, everything is cool.
Where’s the next dance music capital: Hard to say, so many great cities evolving at the moment! But if I had to pick one – NYC!

Matthias Richter was born in Germany in 1988 where he still lives and works. As a teenager he discovered his passion for music and started DJing in 2005. He founded the project Tujamo and started producing in 2006. At the age of 18 he won a DJ contest in one of the most famous clubs in Germany (Club Index, Schuttorf) where he started as a resident DJ in 2007. He is widely regarded as one of the most talented Newcomers in Germany and played in most of all major clubs and cities across the country.

High demand also comes from the international arena. In addition to performances in Australia, Brazil, Turkeye and Russia this year he had his first tour in South America. Not only his successful remixes for Bob Sinclar, Wynter Gordon, Peter Gelderblom, DubVision and the remix of the famous Laserkraft3D “Nein Mann”, also his own tracks draw attention to him: “How We Roll” “Do It All Night” and “Back 2 You” have been at the top of the charts.

Tujamo’s latest track “WHO“ topped the SLAM!FM Dance30, entered the DDC (German Dance Charts) on #2 // Beatport Top 10 and is supported by DJs like Avicii, Steve Angello, Tiesto, Fedde Le Grand, Bob Sinclar, Steve Aoki, Afrojack, Bingo Players, A-Trak, Chris Lake, Chuckie, Laidback Luke, La Fuente, Alvaro, Vato Gonzalez and many more!

www.tujamo.com/

www.facebook.com/Tujamo

www.youtube.com/tujamo
www.soundcloud.com/tujamo
www.twitter.com/tujamo_

Tre fratelli non di sangue che hanno deciso di diventare fratelli di viaggio, viaggio che iniziò nel 2007, quando decisero di unire le loro diverse culture musicali hip-hop, rock ed electro, per farle confluire in un dj set unico, nel 2009 inventarono il “DELIRIUM PARTY” , serata a cadenza mensile nella loro città , Ferrara, dove hanno avuto l’onore di ospitare e condividere la consolle con ospiti di grande calibro internazionale quali: PINK IS PUNK• GIGI BAROCCO • STEREOHEROES • THE “S” • HACK THE SYSTEM• CONGOROCK• GTRONIC,sono stati scelti per l’apertura della prima data italiana di quest’anno dell EPIC WORLD TOUR DEI CYBERPUNKERS, per l’apertura dell’unica data italiana del 2011 dei BLOODY BEETROOTS DEATH CREW 77 A LUGLIO DELLO SCORSO ANNO, E PER UNA DELLE 3 DATE ITALIANE DEL WONDERLAND WORLD TOUR DI STEVE AOKI, a settembre saranno a bologna come spalla a FATBOYSLIM.